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“Oh, Billy, Billy! My beautiful opera is ruined!” Edith wailed, as she heard the jeers of the small boys in the audience. “This aint got poultry in it nor moosic nor nothin’,” complained one small youth. Moses made several further attempts to comply with the modest request of his teacher and at last each child held in grubby hands a book of quaint verses glorified by the tonic sol fah. “Yes, long ago. And, mamma, you needn’t ask me that every morning; I’m going to remember. Truly!” he added, as he came toward her, rosy and shining, and saw her doubtful smile. “The vegetables are most weeded, too.”.
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The water would soon be low enough, he decided, though the end of the suspension foot-bridge hung very near surface. The rains had come in a sudden flood that year, delaying sport he had planned, in which the island was to play an important part. “All this turnin’ is good for the liver too you know,” she continued, as her son’s vinegary expression remained unaltered. Up on the hillside one of the brothers still plied the hoe; and now the other came from the back door and walked down the road with his milk can in his hand. Billy had “the creeps” for a minute, and cowered closer; but no one saw him. Now was the time! He would never have such a chance again. Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them..
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